The poems in Tracery enact a lyric condensation. Many of them were written in transit on the bus on a bicycle on foot in the endless to and fro of work life. Their lyric brevity allowed composition directly in the brain or quick jottings in a pocket notebook primarily governed by the music of reason the ears judgement Joachim du Bellay the natural music of poetry Eustache Deschamps music at the heart of thinking Fred Wah. A major feature of this work is its incorporation and reworking a translation of other works of western literature and philosophy across the span of its brief localized history. These are poems that barge into the arena of classic and modernist literary works with little regard for what is generally regarded as genius with contempt for the everpresent misogyny and gender segregation of our collective past with an everpresent critique but also with a constantly renewable sense of wonder and humility. Written in a time of plagues through dreams and daily life these are poems to be enjoyed by anyone who observes events occurring in time and then wonders at them.