Throughout the French empire from the Atlantic and the Caribbean to West and North Africa men women and children responded to enslavement colonization and oppression through acts of suicide. In The Suicide Archive Doyle D. Calhoun charts a long history of suicidal resistance to French colonialism and neocolonialism from the time of slavery to the Algerian War for Independence to the Arab Spring. Noting that suicide was either obscured in or occluded from French colonial archives Calhoun turns to literature and film to show how aesthetic forms and narrative accounts can keep alive the silenced histories of suicide as a political language. Drawing on scientific texts police files and legal proceedings alongside contemporary African and AfroCaribbean novels film and Senegalese oral history Calhoun outlines how such aesthetic works rewrite histories of resistance and loss. Consequently Calhoun offers a new way of writing about suicide slavery and coloniality in relation to literary history.